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The cathedral of Terni has a long history, starting in the 7th century when the first cathedral was Four streets accessing the Cathedral of Terni, a one remembers the name of Lodovico Aminale from The apse of an oratory were discovered with graves, concluding it was built over a cemetery. In the 9th century a church was built over the top of the 6th century structure. In the church was destroyed and a new one was built on its remains in the 12th century. It would undergo re-modelling over the following centuries.
The 12th century main portal has survived, it has bronze doors created by Bruno Ceccobelli in There is a crypt 9th century? The original campanile was destroyed in an earthquake in , the current one dates from There is an excellent 15th century fresco fragment of St Antony Abbot. The baptismal font features the communes coat of arms. Vincenzo Paglia is featured in the net wearing his zucchetto and clutching onto a man, the same net includes, Father Fabio Leonardis with a heart tattooed on his biceps, he along with Paglia oversaw the artists work.
While interesting not quite sure what to make of it. Have a look at Fontana di Corrado Vigni opposite the duomo. The sculptures are by Corrado Vigni, who also sculpted the statues on the balcony of the duomo. The fountain is dedicated to Cascata delle Marmore and depicts the linking of the River Velino and River Nera, which form the falls. It 'very difficult to determine the time of the first construction, although during the last restoration made the porch of Bernini paving they came to light the remains of a sixth-century apse with numerous burials.
Inside the church, under the choir, it is a construction attributed to S. Pellegrino, the first bishop of the city. Later the bishop S. Anastasio founded the major temple dedicated it to Mary's Assumption into heaven, but the restoration and reductions made under Cardinal Rapaccioli in have almost disappeared traces of the monument.
Under the outside porch Bernini open the three entrances to the temple. The central one is decorated with a rich frieze between sumptuous moldings, in which alternate various animals and rosettes carved in the eleventh century.